ROP TV
Final Exam Modules 26-40
Instructions: On a
blank sheet of paper write the correct letter next to the appropriate number.
1 Daylight color
temperature changes with
- latitude
and longitude
- the
time of day
- the
cloud cover
- All
of the above are correct.
- None
of the answers is correct.
2 Compared to
sunlight, incandescent light
- has
more reddish-yellow light
- has
more blue light
- has a
higher color temperature
- All
of the above are correct.
- None
of the answers is correct.
3 Sunlight contains
more red light during sunrises and sunsets because
- the
air through which the light passes is, itself, redder in the mornings and
evenings
- the
sun is closer to the earth in the morning and evening
- sunlight
must travel through more of the earth's atmosphere at these times
- as the
sun revolves around the earth it picks up red light
4 Instead of a
relatively smooth mix of colors from infrared to ultraviolet this light source
typically has sharp bands or spikes of color, primarily in the blue-green area
- standard
fluorescent light
- incandescent
light
- HMI
lights
- All
of the above are correct.
- None
of the answers is correct.
5 Another name for
light quality is
- intensity
- chroma
- character
- coherence
- brightness
6 In video-related
computer programs rendering is the process of
- making
a hand drawing of a TV graphic
- computer-based
"fleshing out" of video illustrations and effects from basic
data (X)
- making
the final edited master of a production
- All
of the above are correct.
- None
of the answers is correct.
7 If you wanted to
bring out maximum surface detail in a subject you should use a
- Fresnel
light
- diffused
light
- hard
light
- lighting
tent
8 A soft light
effect can be created with
- flat
lighting
- an
umbrella reflector
- diffusion
screen
- All
of the above are correct.
- None of
the answers is correct.
9 For decades the
primary type of lighting instrument used in studios has been the
- Fresnel
light
- beam-spot
projector
- HMI
light
- softlight
- neon
light
10 Reflected light
meters
- can
be fooled by windows, lights, and bright backgrounds
- assume
average subject matter
- can
be used at the camera position
- All
of the above are correct.
- None
of the answers is correct.
11 You can vary
light intensity on a subject by moving lights closer and farther away. If you wanted
to cut the intensity of a light to one-fourth of its original intensity you
would
- move
the light closer to the subject
- move
the light to a point four times the original distance
12 The problem with
using dimmers as they relate to color temperature is that they
- raise
color temperature
- create
blue-green spikes in the color spectrum
- dramatically
change the quality or coherence of the light
- lower
color temperature
- increase
the brightness of lights
13 The
tungsten-halogen lamps used in TV production are commonly called
- quartz
lights
- xeon
lights
- PAL
lamps
- neon
lamps
- HMI
lights
14 In using quartz
lamps you must
- remember
to replace them using a cloth to make sure you don't get fingerprints on
the lamp
- not subject
them to severe jolts while they are on
- respect
the fact that they get very hot
- All
of the above are correct.
- None
of the answers is correct.
15 A lighting
instrument that can project a hard, sharply-defined area of light is a
- Fresnel
- scoop
- softlight
- florescent
light
- ellipsoidal
spot
16 A device that
attaches to a frame at the front of Fresnel lights that softly cuts off the
edges of the beam is referred to as
- barn
doors
- diffuser
- a
cookie
- an
ellipse
17 Virtual reality
sets
- are computer
generated
- are
no longer used because of the great cost involved
- require
considerable studio storage space
- two
of the above are correct
18 A type of studio
light that reduces power consumption, heat, and provides a soft illumination is
- Fresnel
light
- beam-spot
projector
- color-balanced
fluorescent
- scoop
TV
Production Modules 31 - 35
19 In planning
lighting it's best to
- light
for the camera angles responsible for close-ups
- use
as much light as possible
- use as
many lights as necessary to eliminate every possible shadow
- All
of the above are correct.
20 In formula
lighting the key light
- primarily
defines the texture, shape, form, and dimension of subject matter
- is
typically in the middle of the hard-soft range in light quality
- is
normally placed at about 45-degrees off to one side of the camera
- All
of the above are correct.
- None
of the answers is correct.
21 In formula
lighting the fill light should
- eliminate
all traces of shadows from the key
- be placed
next to the key light
- be
half the intensity of the key light
- be a
hard source of light
- All
of the above are correct.
22 In formula
lighting the angle formed between the key and fill lights should be about
- 45
degrees
- 15
degrees
- 90
degrees
- 180 degrees
23 In standard
formula lighting the background light should normally be
- one-eighth
the intensity of the key light
- two-thirds
the intensity of the key light
- twice
as bright as the key light
- turned
off
24 When doing a
segment outside in sunlight, a fill light could be in the form of
- an
HMI light
- a
quartz light with a blue filter
- a
white reflector board
- two
of the above are true
- All
of the above are correct.
25 The light which
is stronger than the key light and separates the subject(s) from the background
with a subtle rim of light is called
- a
softlight
- a
scoop
- a key
light
- a
back light
- a
background light
26 If you wanted to
create a silhouette effect for a subject you could
- use
three-point lighting
- use only
scoop and fill lights
- use
only a back light or a background light
- use
only a key light and a fill
- use
only Fresnel lights
27 The "Rudolph
effect" is caused by having the
- background
light too low
- back
light too high
- fill
light too high
- the
key light too close to the camera
- not
using a background light
28 If you use a
reflector board outside as a fill it should be placed
- as
close to the sun as possible
- on
the opposite side of the subject from the sun's illumination
- on
the same side of the subject as the sun's illumination
- a
reflector should never be used outside
29 In color
television if a key light is 1,200 lux with formula lighting the fill light
should be
- 2400
lux
- 600
lux
- 1000
lux
- 1200
lux
30 Soft lighting can
be used to minimize
- wrinkles
on a face to make a person look younger
- depth
and texture
- surface
detail
- All
of the above are correct.
- One
of the answers is correct.
31 If you use
sunlight coming through a window as principal source of illumination on a
subject and you want to use an incandescent light as a fill, you would need to
- use a
scrim over the incandescent light
- use a
yellow filter over the incandescent light
- dim
down the fill light
- use a blue filter over the incandescent light.
32 If you want to
exaggerate (maximize) surface detail on a subject you should
- use
a hard light source
- use
a high lighting ratio
- position
the key from 60 to 85 degrees off to one side of the camera
- All
of the above are correct.
- None
of the answers is correct.
33 In deciding on
whether to key a person from the left or right you should
- do
what's most practical
- adhere
to consistency
- follow
source
- consider
the person's best side
- All
of the above are correct.
- None
of the answers is correct.
34 To minimize
shadows on a background you should
- not
use backlights
- put
the subjects as close to the background as possible
- not
use background lights
- All
of the above are correct.
- None
of the answers is correct.
35 An 8:1 lighting
ratio would create
- a rather
dramatic effect
- flat
lighting
- a
showless effect
- All
of the above are correct.
36 If you wanted to
bring out maximum surface detail in a subject you would
- use
a scoop for a key light
- use
a scrim over the key light
- use
color balanced fluorescents for a key light
- make
sure the fill is next to the key
- You
would do all of the above
- You
would do none of the above
Modules
36 - 40
37 Accomplished
lighting directors say you should "follow source" in lighting
dramatic productions. The means you should
- follow
the storyboard instructions
- carefully
follow the lighting plot in setting up the lights
- carefully
follow the director's instructions
- closely
follow the intention of the script
- place
key lights to correspond with the expected sources of illumination within
a setting
38 You are doing an
on-location shoot and you want to use three lights for an interview: a 2,000
watt umbrella reflector light for a key, a 750-watt back light and a 1,500-watt
background light. Using the rule of thumb explained in the module, would you be
able to plug these lights into the same 30-amp circuit?
- no,
the total wattage would blow a 30-amp breaker
- yes,
and you would have a safety margin to spare
39 In broadcast
television the reason that film often looks better than video, especially in
dramatic productions, is
- film
never evidences dirt or scratches
- film
is typically lit for a single camera position and studio video is commonly
lit for three or four camera angles at the same time
- film,
as broadcast, has greater sharpness (clarity)
- film
has a "live television" look
- All
of the above are correct.
40 In plugging in
lights on a location shoot you check and find that the plugs you want to use
are all on a single electrical circuit with a 20-amp breaker (fuse). Using the
formula provided in the cybertext (which includes the safety margin), what is
the approximate maximum wattage this circuit will carry
- 100
watts
- 1,000
watts
- 200
watts
- 2,000
watts
- 10,watts
41 Persons with
good, unimpaired hearing can expect to hear a frequency range between
- 2,000-20,000
Hz
- 20-200
Hz
- 20-20,000
Hz
- 20,000-200,000
Hz
- 200-2,000Hz
42 A device which can
be very useful in postproduction sound sweetening that enables you to boost
certain frequencies and attenuate others is called a
- wave
form monitor
- graphic
equalizer
- dBSPL
meter
- sound
sweetener
- vectorscope
43 The term amplitude also means
- loudness
- frequency
- duration
- All
of the above are correct.
- None
of the answers is correct.
44 A rugged type of
mic that is generally the best choice for ENG work is the
- contact
mic
- condenser
mic
- ribbon
mic
- dynamic
mic
45 The type of mic that
can be used as a miniature clip-on mic or a high quality studio mic that
requires batteries or an external power source is the
- contact
mic
- dynamic
mic
- crystal
mic
- ribbon
mic
- condenser
mic
46 Which mic
application design is an example of a mic that is designed to pick up sounds
from a hard surface such as a table top?
- parabolic
- suspended
- line
- PZM
- headset
47 The problem of
sibilance is evidenced by
- audio
feedback
- a
proximity effect
- exaggerated
bass response
- a
popping sound
- exaggerated
or distorted "s" sounds
48 Wireless mics
- can
be a good choice where the talent must move around a lot
- are
also called RF mics
- are
sometimes subject to RF interference
- All
of the above are correct.
- None
of the answers is correct.
49 If you wanted to
insure maximum reliability which type of antenna system would you use for
wireless mics
- diversity
- non-diversity
- The
phrase “popping your ‘p’s” refers to something that can happen:
- when someone at the microphone says a phrase like,
“pretty pink potatoes.”
- when
someone cracks their knuckles
- when
someone squeezes a pimple.